As a wide-eyed debut author in the century before this one, I had a kind of breathless regard for The Horn Book Magazine. It was partly the trim size, which somehow gave it a booklike heft and purpose. It was also the infrequency of its appearances — just six times a year, making it rare and desirable. And of course, the quality of its content, including literature-themed acrostics by Natalie Babbitt!
As a wide-eyed debut author in the century before this one, I had a kind of breathless regard for The Horn Book Magazine. It was partly the trim size, which somehow gave it a booklike heft and purpose. It was also the infrequency of its appearances — just six times a year, making it rare and desirable. And of course, the quality of its content, including literature-themed acrostics by Natalie Babbitt!
In the cloudy, doubt-riddled space between completion of a manuscript and publication of a book, I was possessed by ambivalent feelings about reviews. I wanted them desperately, and I dreaded them even more. Both angsts were especially true when it came to the Horn Book.
The Magazine published kind reviews of my first two books. For the third? Crickets. (An aside: I had to look up why crickets as slang means silence. Because crickets make a lot of noise, y’know? I discovered that it means you can’t hear anything *except* crickets. Oh.)
Crickets. Dismay. Gnashing and rending. Eventually I was told that my book had been bypassed for review in the Magazine and sent to The Horn Book Guide instead. The Guide?? Only then did I learn of the Magazine’s sibling publication: the Guide took up the slack, publishing brief capsule reviews of far more titles than could be covered in the Magazine.
I could be wrong, but back then I was given to understand by insiders that one of the only times in its history the Magazine did not review the Newbery Medal title was for the 2002 winner. A Single Shard — my crickets book.
The things I learned from that experience have proven invaluable throughout my career. For one thing, the importance of focusing on the things I can control. For another, that the wide range of opinions about books is precisely what enables creators to produce an even wider variety of them.
And that the chirp of crickets might sometimes be followed by applause.
From the May/June 2024 special issue of The Horn Book Magazine: Our Centennial. For more Horn Book centennial coverage, click here. Find more in the "Blowing the Horn" series here.
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