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The author's Horn Book (and other) treasures. Photo: Celia C. Pérez. I keep a storage bin filled with ephemera from my writing life. It is a treasure chest of memories that includes everything from conference badges, event programs, and T-shirts from schools I’ve visited to letters and artwork I have...
Comedy is particularly well suited to the structural limitations of the beginning reader format, where few words can stand in contrast with illustrations that show so much more. In this selection, I’ve highlighted a lot of humorous books, ranging from gentle to as sharp as they come, as these are...
Special Issue: Perception and Reality Original cover art by Edel Rodriguez. Cathryn M. Mercier on the “playground” of metafiction in picture books. A Publisher’s Perspective: Charlesbridge editor Karen Boss reflects on the “two-brained intersection” between creativity and commerce. “Reality Reimagined”: essays and comic from Tracey Baptiste, Kamilah Cole, Adrianna Cuevas,...
Illustration: Denise Maldonado. Over the years, The Horn Book Magazine and I have crossed paths at pivotal times: when I worked as an elementary school librarian, during my graduate studies in child development, and — most recently — through research for the education chapter of my book on the history,...
My name is Shifa, spelled S-h-i-f-a, for most of my life pronounced shee-fa, sometimes said Shiff-a, but really in Arabic it’s she-faa’ with an emphasis at the end like a silent t, although usually I just stay quiet and nod however it’s said, because for some reason, my ears have...
Which material to use to help the printed word survive rambunctious young readers is a long-running question, with solutions ranging from the translucent mica of early hornbooks to Tyvek in twenty-first-century “Indestructibles.” One solution is fabric. Books for children were first printed on cotton or linen in 1902 by toy...
As Simmons University celebrates its quasquicentennial, the Horn Book its first hundred years, and the Simmons graduate program in children’s literature its golden fiftieth birthday, I welcome this moment to thank all the Horn Book editors who have been teachers, mentors, and friends. The Horn Book has had only eight...
I recently had the great good fortune to attend a voice recital by my dear college friend Limmie Pulliam. Titled “Resilience and Revelation: A Musical Exploration of the Human Condition,” the program comprised “spirituals, songs, and arias,” and included a sublime and timely encore. This issue of Notes, including Five...
I first met Cuban-born translator Emily Carrero Mustelier through poet and translator Alexis Romay. I was working on my middle-grade novel Sofía Acosta Makes a Scene, a book about a girl whose family danced with the Ballet Nacional de Cuba. Alexis read a draft of the book and immediately put...
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