You have exceeded your limit for simultaneous device logins.
Your current subscription allows you to be actively logged in on up to three (3) devices simultaneously. Click on continue below to log out of other sessions and log in on this device.
Which material to use to help the printed word survive rambunctious young readers is a long-running question, with solutions ranging from the translucent mica of early hornbooks to Tyvek in twenty-first-century “Indestructibles.” One solution is fabric. Books for children were first printed on cotton or linen in 1902 by toy...
As Simmons University celebrates its quasquicentennial, the Horn Book its first hundred years, and the Simmons graduate program in children’s literature its golden fiftieth birthday, I welcome this moment to thank all the Horn Book editors who have been teachers, mentors, and friends. The Horn Book has had only eight...
I recently had the great good fortune to attend a voice recital by my dear college friend Limmie Pulliam. Titled “Resilience and Revelation: A Musical Exploration of the Human Condition,” the program comprised “spirituals, songs, and arias,” and included a sublime and timely encore. This issue of Notes, including Five...
I first met Cuban-born translator Emily Carrero Mustelier through poet and translator Alexis Romay. I was working on my middle-grade novel Sofía Acosta Makes a Scene, a book about a girl whose family danced with the Ballet Nacional de Cuba. Alexis read a draft of the book and immediately put...
I recently picked up Philip Nel’s 2012 dual biography of children’s literature luminaries, Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature, and was immediately riveted. Nel did amazing due diligence: eighty interviews! Nearly six hundred (unobtrusive) footnotes! Research at three...
We’ve retired the HB100 horn logo (HB200, here we come!), and I am a fan of designer Denise Maldonado’s digital illustration, above, with its similarly eye-catching graphic appeal. I read the image as: “The Horn Book and…” It is a theme that serendipitously runs throughout this issue of the magazine....
CHARLY PALMER: We want to start by thanking the committee for this incredible honor. We are truly surprised, humbled, and so grateful to be standing here today, receiving this special citation. It’s a rare acknowledgment — given only seven times in the entire history of the Boston Globe–Horn Book Awards...
First and foremost, I would of course like to thank the Boston Globe–Horn Book Awards Committee for this honor, the entire creative team at Simon & Schuster, and our agent, Rubin Pfeffer, for catalyzing this project in the first place. Rubin, you have been a light in this journey, always...