>Dutch Trick or Treat

>Editing an article for an upcoming issue of the Magazine, I needed to find some information about Lucy Fitch Perkins' The Dutch Twins, and found via Google a digital library which contained it. The Baldwin Project is a real time-sucker of a place--that's a compliment--and after reading about the Twins and their ever-informative mother ( "I shall have milk enough to make butter and cheese," said Vrouw Vedder. "There are no cows like our Dutch cows in all the world, I believe") I found myself wandering around the place, which is apparently intended primarily as a resource for home-schoolers of a certain ilk, such ilk being those parents who believe anything worth reading was published before their own grandparents were born.

While I understand that the Baldwin Project necessarily only collects works that have gone out of copyright, and that we have much to learn from the past, I sure hope that no parent thinks these books will constitute an education. Along with digital editions of the books themselves, the site includes outlines for two curricula, Waldorf and Ambleside (based on the ideas of English educator Charlotte Mason) apparently in some repute among homeschoolers. But surely Waldorf founder Rudolf Steiner and Charlotte Mason would take issue with the assumption that the world would not move on without them. Could they truly endorse the idea espoused in Ian D. Colvin's South Africa, published in 1910, that, in considering the rival claims of the Boers and the English settlers of that country, that:

The British ideal has been in the long run a better one. We need labour for mines, and railways, docks, farms, and plantations. Therefore we give the native peace and justice, and a share of the land which is surely big enough for all. But at the same time we must be master of the black people. No good British Governor or British settler has ever preached equality: that has been left to the old ladies at home.


This is only an egregious extreme of a collection that is for the most part middlebrow and harmless (and valuable for those interested in an archive of what has been thought appropriate for the young) but do parents really teach from it? The world must look exceedingly strange to them, and let's hope their kids get some unsupervised time at the public library.
Roger Sutton
Roger Sutton

Editor Emeritus Roger Sutton was editor in chief of The Horn Book, Inc., from 1996-2021. He was previously editor of The Bulletin of the Center for Children's Books and a children's and young adult librarian. He received his MA in library science from the University of Chicago in 1982 and a BA from Pitzer College in 1978.

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Mike Morris

>Tuesday, the 10th of April, 2007

It occurred to me that I had had to concoct a transcript for my oldest son (now 17)
in order that he might enter the IUPUI (Indiana University-Purdue University-Indianapolis)
SPAN division program this last fall. It's a college courses-for-highschool-students
thing, and he's just about completed his first year of both a composition class and a
beginning Japanese course. Anyway, I'm a homeschooling father of 3 and I became
interested in this exchange by being directed to it on Headmistress' blog. Anyway,
I happened to have all these books listed for my son's "highschool" transcript, and I
figured it might prove illustrative of something. I've kept the transcript groupings I
had in the spread sheet, but I frankly regard "literature" as inclusive of history, philosophy,
and writing about art and music. "Philosophy" was a subject area we began last
year, and "art and music" should be considered "appreciation" in these categories,
and we have used various approaches to them each year. (This year for music we
have watched the 10-DVD set of the Ken Burns "Jazz" documentary, supplemented
by lots of CDs. Hence, no music books read recorded for this year.) In any case,
pretty much everything listed (except for some of the separately listed plays, dialogues,
and essays) is a whole, unabridged book read cover to cover.

Grade 8 Literature:
Othello by William Shakespeare; 1001 Arabian Nights (tr. Richard Burton); The Aeneid by
Vergil (tr. By Allen Mandelbaum); Eats, Shoots & Leaves by Lynne Truss

Grade 8 History:
Backbone texts: The Story of Civilization IV: The Age of Faith by Will and Ariel Durant; The Story of
Civilization V: The Renaissance by Will and Ariel Durant; The Story of Civilization VI: The Reformation
by Will and Ariel Durant
Supplementary texts: A History of the Crusades I: The First Crusade and the Foundation of the Kingdom of
Jerusalem by Steven Runciman; A History of the Crusades II: The Kingdom of Jerusalem and the Frankish
East 1100-1187 by Steven Runciman; A History of the Crusades III: The Kingdom of Acre and the Later
Crusades by Stephen Runciman; The Notebooks of Leonardo Da Vinci; Saint Joan by George Bernard
Shaw; St. Joan of Arc by Vita Sackville-West; The Black Death by Philip Ziegler.

Grade 8 Art & Music:
Frida Kahlo: The Brush of Anguish by Martha Zamora; Magritte by Marcel Paquet; Georges Seurat by
Mike Venezia; Georges Seurat by Pierre Courthion; Verdi with a Vengeance by William Berger; The Merry
Wives of Windsor by William Shakespeare; The Romance of Tristan by Beroul, Volsunga Saga; The Ring
of the Nibelung by Richard Wagner (tr. by Stuart Robb)

Grade 9 Literature:
Crime and Punishment by Fyodor Dostoevsky; The Third Policeman by Flann O'Brien; The Art of War by
Sun Tzu; Gulliver's Travels by Jonathan Swift; The Big Sleep by Raymond Chandler; The Trial by Franz
Kafka; Tale of Two Cities by Charles Dickens; Cosmicomics by Italo Calvino; The Great Gatsby by
F. Scott Fitzgerald;Plays of Moliere; Fables of La Fontaine (tr.Marianne Moore); Phaedra by Racine;
Paradise Lost by John Milton; Samson Agonistes by John Milton; Lycidas by John Milton;
Areopagitica by John Milton

Grade 9 History:
Backbone texts: The Story of Civilization VII: The Age of Reason by Will and Ariel Durant; The
Story of Civilization VIII: The Age of Louis XlV by Will and Ariel Durant; The Story of Civilization IX: The
Age of Voltaire by Will and Ariel Durant Supplementary texts: The King's Peace; The King's War; A
Coffin for King Charles; The Thirty Years War by C.V. Wedgwood; Glencoe by John Prebble; Culloden
by John Prebble; Frederick the Great: A Military Life by Christopher Duffy

Grade 9 Art &Music:
Richard Wagner's The Ring of the Nibelung Graphic Novel by Roy Thomas and Gil Kane; Illustrations for
Wagner's Ring by Arthur Rackham; Wagner without Fear by William Berger; Wagner's Ring: Turning the
Sky Round by M. Owen Lee; Agamemnon, Libation Bearers, Eumenides, The Suppliant Maidens,
The Persians, Seven Against Thebes by Aeschylus; Athena Sings: Wagner and the Greeks by M. Owen Lee

Grade 10 Literature:
Cold Mountain by Charles Frazier; Catch 22 by Joseph Heller; The Catcher in the Rye by J.D. Salinger;
The Inferno; The Purgatorio; The Paradiso by Dante Alighieri (tr. John Ciardi); What Are the Seven
Wonders of the World? And 60 Other Great Cultural Questions by Peter D'Epiro and Mary Desmond
Pinkowish; The Kite Runner by Khaled Hosseini; The Metamorphoses by Ovid (tr. Allen Mandelbaum);
La Ciudad de Las Bestias by Isabel Allende (in Spanish)

Grade 10 Philosophy:
Backbone text: A History of Western Philosophy by Bertrand Russell (beginning through Book
Two, Part I, Chapter iv "St. Augustine's Philosophy and Theology"); Supplementary texts: Lysis,
Euthyphro, Apology, Crito, Phaedo, Protagoras, Phaedrus, Symposium, Republic, Theatetus,
Timeaeus by Plato (tr. Benjamin Jowett); Categories, De Interpretatione, Prior Analytics, Posterior
Analytics, Topics, Sophistical Refutations, Nicomachean Ethics, Politics, Rhetoric, Poetics by
Aristotle (ed. by Jonathon Barnes, various translators); De Rerum Natura by Lucretius (tr. Anthony Esolen);
Meditations by Marcus Aurelius; City of God by St. Augustine.

Grade 10 History:
Backbone texts: The Story of Civilization X: Rousseau and Revolution by Will and Ariel
Durant; The Story of Civilization XI: The Age of Napoleon by Will and Ariel Durant; The Age of
Revolution: 1789-1848 by Eric Hobsbawm; The Age of Capital: 1848-1875 by Eric Hobsbawm
Supplementary texts: The Seven Years War: A Study in British Combined Strategy by Julian S.
Corbett; The Oxford History of the French Revolution by William Doyle; The Campaigns of
Napoleon, Volume I: The Rise, February 1793-September 1805; The Campaigns of Napoleon,
Volume II: The Zenith, September 1805-September 1812; The Campaigns of Napoleon, Volume III:
The Decline, September 1812-June 1815 by David Chandler

Grade 11 Literature: Selected Essays and Stories by Lucian; El Aleph by Jorge Luis Borges (in Spanish); The
Panda's Thumb by Stephen Jay Gould; The Decipherment of Linear B by ; Dubliners by James Joyce;
El Reino del Dragon de Oro by Isabel Allende (YA in Spanish); Orlando Furioso by Ariosto (tr. by Barbara Reynolds)

Grade 11 Philosophy: Backbone Text: A History of Western Philosophy by Bertrand Russell; Supplementary
Texts: The Rule of St. Benedict; Summa Theologica by Thomas Aquinas

Grade 11 History: The Age of Empire by Eric Hobsbawm; The Age of Extremes by Eric Hobsbawm; The Birth
of the Modern by Paul Johnson; Heaven's Command by James Morris; Pax Britannica by James Morris

The last three works listed in the Grade 11 categories he's still in the middle of reading. And of course,
I'm not listing mathematics and science and language textbooks he's read and completed, or DVDs watched
(all of the avaliable-on-DVD operas of Verdi and Wagner, for example), or CDs listened to, either. Also,
my son reads a lot on his own, mostly science fiction and fantasy novels. I'm not listing his personal
reading, only his assigned reading.

Roger Sutton wrote:
"While I understand that the Baldwin Project necessarily only
collects works that have gone out of copyright, and that we have
much to learn from the past, I sure hope that no parent thinks these
books will constitute an education."

I take exception to this. I've long used a private definition for "education",
and I can think of no better illustration of my preference for my definition
than this point in this discussion. I think "education" is the life of the mind one
may lead in one's leisure time when one is 40 years old. "Education" is
not to be confused with "schooling", which is the provision to the child of
the tools which may implement and ease education later in life (should one
choose education and not sitting passively in front of a television set
for one's leisure time). I grew up on the suburban eastside of Indianapolis.
I graduated a pretty much all-white college-bound high school there in 1978.
I was ranked number one in a graduating class of over 800. I went on to get
an honors degree in physics from Purdue, attend one year of postgraduate
study at Churchill College, Cambridge, and spend five years at Caltech
getting my PhD in theoretical physics.

Here is the point: I will swear that if we count
whole, unabridged books read because they were assigned reading
in grades K-12, I read fewer than 10 books in those 13 years for
school. I learned to read on my mother's lap when I was four
years old, so I was always an avid reader. I'm just differentiating
between those books that I read on my own and the books assigned
for school.

Maybe things have improved a bit in schools nowadays: But I'll
lay money what my son has read for homeschool (and spending
2-3 hours a day of "seatwork", including math and science and
languages) beats the pants off of any curriculum
offered in any public school in the United States. Moreover: delete any
and every 20th-century book I've listed above from my son's curriculum
(which is probably half of what I listed), and I'll *still* bet it beats the pants
off of anything done in any public school.

What I think, Mr. Sutton, is that schooling is not education. I think
also there are wonderful new books that have been written, and
which continue to be written. But, old books have been judged and
filtered by generations of readers. And the good ones have left a web
of recommendations by those readers. And that time-tested nature of
older books is something newer books cannot match. Moreover, older
books are the real multicultural trip. Chinua Achebe and Maya Angelou
and Rigoberta Menchu and Amy Tan all likely share knowledge of the
taste of Coca-Cola. Lucian and St. Augustine wrote and lived before
there was such a thing as Coca-Cola. One can read _Finnegans Wake_
after having read lots of pre-20th century books. One is unlikely to be
able to read it having had the tokenistic smattering of mostly short and modern
books the public schools are likely to provide. And works like
_The Federalist Papers_ or Daniel Webster's "Second Reply to Payne"---absolutely
essential to an active and responsible citizenship in this republic at this moment,
are unlikely to be accessible to children who have not been steeped to eyebrows
in old books, and the higher demands of vocabulary and syntax that old
books make on them.

I think the one point where I disagree with Headmistress is about the white-out.
I can't imagine whiting out anything in any book. She's Christian and I'm atheist,
but there is something sacreligious in the act of whiting out a book that I
shudder to even think about. (To Headmistress: This is a far, far ickier image
for me to have in my brain than the other "icky" one we were
discussing.)

Mike Morris
(msmorris@netdirect.net)

Posted : Apr 10, 2007 03:29


Becky

>Ambleside Online is just one of various online Charlotte Mason curricula/schedules (and the Baldwin Project isn't a curriculum, just a free online resource that lists those of its titles that dovetail with AO, as well as Waldorf). Another is the Catholic 4RealLearning, which has its "Read Around the Year Booklist", which starts with this proviso, "I was very hesitant to include a booklist with this book. By their very nature, lists are limited. Fortunately, good literature is limitless. However, we have to begin to choose somewhere. This list is intended to be such a beginning. With the list below, the parent educator can apply the principles outlined in this book. She can begin to craft and to plan a curriculum tailored for her children. The list is designed to offer both structure and freedom." Most of the various Charlotte Mason curricula are (evangelical) Christian or Catholic (unlike Miss Mason herself, who was Anglican) but are easy enough to secularize for those who wish to do so, and various online groups exist, offering members the chance to find or suggest additions and substitutions for a variety of subjects -- such as titles on Canadian history and literature.

Homeschooling of any stripe, whether Charlotte Mason, Montessori, E.D. Hirsch's Core Knowledge series (the "What Your First Grader Needs to Know" books), classical, eclectic, or unschooling, is rarely static, and almost all of the homeschoolers I know, adults and kids alike, are keen book lovers (and buyers and borrowers). That could be the reason there seems considerable overlap between the kidlitosphere -- Melissa Wiley's term, if I remember correctly -- and homeschooling blogs. We're always eager to hear, and share, about the best new titles, from The Penderwicks to Octavian Nothing to the latest from Dianna Hutts Aston and Sylvia Long. Quite popular among home educating parents for themselves as a teaching resource this last while seems to be Deconstructing Penguins (2005).

I tend to consider all curricula and schedules, from Ambleside to The Well-Trained Mind (which is what we use primarily), as a framework rather than a mandatory list, and I'd hazard a guess that the majority of home educating parents probably do, too. It's just impossible to expect that one person's (or one group's) list or book or method could contain everything to suit every family (including single working parents) -- we're all so different, with varying beliefs, and kids (even within the same family) with different abilities and interests. One of the benefits of homeschooling is its inherent flexibility. The one thing we probably all do share is a fondness for Yeats's quote, "Education is not the filling of a bucket but the lighting of a fire". I don't know anyone who uses the Baldwin Project's "e-books" exclusively. Or anyone who would use Ian Colvin's 1910 book, South Africa, published the year the Union of South Africa was formed, uncritically. I would think that the usefulness of the book, written by an early 20th century English journalist, lies in its being a unvarnished contemporary (in the original sense, meaning "of the time") English account, that gives a student an unparalleled chance to discuss and understand the role and attitudes of the British in the South African Wars and after. How much easier to understand Botha, Buthelezi, and Mandela, when one has already read Jabavu, Rhodes, and Colvin?

I don't know what others grew up reading, but when I was a child in an apartment on Manhattan's Upper West Side (still occupied by my parents with wall-to-wall books), my shelves included lots of the "Baldwin books" -- Padraic Colum, Howard Pyle, the whole rainbow of Andrew Lang's fairy books (courtesy of Dover), Hans Christian Andersen, Hilaire Belloc's Cautionary Tales for Children and The Bad Child's Book of Beasts, Thornton W. Burgess's animal stories (more Dover), Frances Hodgson Burnett, Hawthorne's Tanglewood Tales and Wonder Book for Girls and Boys, Joseph Jacobs' marvellous Celtic Fairy Tales, George MacDonald's Princess & The Curdie, E. Nesbit, Beatrix Potter, Arthur Ransome, Ernest Thompson Seton, Robert Louis Stevenson, Kate Douglas Wiggin. And shelves and shelves full of other books, bought and borrowed, including Laura Ingalls Wilder, Anne of Green Gables, Ant & Bee, E.B. White, Judy Blume, Beni Montresor, all of the Nancy Drew/Paddington Bear/Great Brain series, Roald Dahl, Harriet the Spy and Freaky Friday and their sequels, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, Madeleine L'Engle. Yes, and comic books too. Sort of a free-range approach to children's reading, which is as it should be.

As to less than eminent Victorians, just to skim the surface -- Mary Kingsley, the Brontës, Clara Barton, Mary Anning (the subject of a whole crop of children's books, including a couple of very nice picture books), Julia Margaret Cameron, Marianne North, Jennie Churchill, Dinah Craik, Millicent Fawcett, Mrs. Gaskell, George Eliot, Fanny Kemble, E. Nesbit, Christina Rossetti, Ada Lovelace, Frances Trollope, Mary Augusta Ward, and Jane, Lady Franklin, not to mention Strachey's own Florence Nightingale as well as his mother, the suffragist Lady Julia, and Victoria herself, who certainly wouldn't have been amused to find herself in nitwit territory...

Posted : Apr 10, 2007 02:23


Krakovianka

>I've thought about this discussion a good deal over the past few days, and I may have to blog about it at more length. I do want to make one comment here. I would never suggest that a child read only older books, but it is even more dangerous to suggest some arbitrary "contemporary" cutoff date and imply that children should only read current literature. We have centuries of literature, philosophy, history at our disposal, which has already been sifted by time and thought so that the best (and most relevant) has survived. Not every book written 150 years ago is worth our time or consideration, but by choosing recognized classics, we can be somewhat assured of their quality.

Further, early exposure to older styles of writing, with their deeper vocabulary and more complex sentence structure will open up doors that will remain woefully shut if a child reads nothing more than contemporary literature written within the past fifty years.

I know too many adults who will classify books as "too hard" if the writing is dense, there are more than 500 or 800 pages, or if the language seems the least bit outdated. It takes a tremendous amount of personal discipline to overcome this, and too many adults are hampered because they weren't encouraged to stretch their minds when they were younger, and lot more elastic.

We may be doing children a disservice if we expose them only to older books (although I don't personally know anyone who has done this), but we are doing them an even greater disservice if we leave them unequipped to read the rich heritage of literature that the centuries have left us. The Baldwin Project is making older books available in part because most children would otherwise have no chance to read them. Libraries seem to have little interest in making older books--very worthy older books--available on their limited shelf space.

Posted : Apr 10, 2007 07:59


Roger Sutton

>I can see now how inflammatory that was, and rife with assumptions. I've learned a lot about Ambleside in the past few days.

I am still interested in how so many of the Baldwin books seem to have skipped over generations to gain an audience, books that "were read so widely just a few generations ago" as the Baldwin website says. I'm guessing the out-of-copyrightness (and subsequent internet availability) is attractive, and the perceived "old fashioned" virtues would have appeal to conservative parents. But what did they grow up reading?

Posted : Apr 09, 2007 11:38


Melissa Wiley

>Roger, I agree this has been an instructive conversation. I think perhaps what the deputy headmistress was reacting to was the tone of statements such as:

"I found myself wandering around the place, which is apparently intended primarily as a resource for home-schoolers of a certain ilk, such ilk being those parents who believe anything worth reading was published before their own grandparents were born."

No offense, but I do hear a bit of a sneer in that; at the very least you jumped to conclusions. I think Mama Squirrel did a nice job of clarifying just how broad the range of literature included in the Ambleside curriculum really is. An appreciation for certain specific "old books" does not preclude an appreciation for the best of what is being published today (a truth nicely illustrated, in fact, by a perusal of the blogs of the two ladies mentioned above--blogs which contain many reviews of contemporary literature).

I have yet to find any one collection of literature which impresses me in its entirety. I love to explore the Baldwin Project and have found several gems I was delighted to share with my (yes, homeschooled) children; I also found a number of books there I don't like at all. Same goes for trips to the bookstore and library. If you formed conclusions about me (or my parenting style, or my educational philosophy) based on a single shelf of my library, you'd wind up with quite an incomplete picture. Suppose you picked the entire shelf full of Showcase Presents superhero comics collections? You'd have no idea, just from that, that I'm a Chesterton addict, a raving Tolkein fanatic, nor a huge fan of Kate di Camillo.

My 11 yr old daughter's nightstand stack contains, at this moment (I peeked): Dickens, Jeanne Birdsall, Famous Men of Rome, and the Usborne Dictionary of Math. I believe one of those books did come to us via the Baldwin Project...

I have yet to meet any Ambleside users who "believe anything worth reading was published before their own grandparents were born." The Ambleside users of my acquaintance (and if you explore their blogs, you can see for yourself) believe that what is "worth reading" is good writing, no matter when it was published. Luckily for me, since my own books were published well after Mama Squirrel's grandmother's day!

Posted : Apr 09, 2007 09:20


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