>Brahma, mon dieux!

>We saw one of my favorite operas on Sunday, Bizet's The Pearl Fishers, premiered in 1863 and putatively set in Ceylon. Its big tune, a duet for tenor and baritone, is apparently England's perennial number one favorite. The Opera Boston production we saw played the Orientalism up to the hilt, with shadow puppets, projections of many-handed (I'm guessing) Hindu gods, and sinuous dancing girls. I'm guessing it was no more "authentic" than the opera itself, which shamelessly indulges itself and the audience in exotica.

It made me remember a sumptuous picture book edition of Aida by Leontyne Price and the Dillons, trumpeted by the publisher as a retelling, via Verdi, as an African story. Nope, pure Italiano, based on a scenario by a French Egyptologist. And Turandot is about as Chinese as I am. These operas make me think about our own field's stern requirements for cultural authenticity and against Orientalism. Bizet, Verdi, and Puccini would be banished from the shelves. I guess I should be grateful they are operas, not books, and thus subjected to grown-up criteria that acknowledge the presence and even perniciousness of stereotyping without making it the trump card of evaluation.
Roger Sutton
Roger Sutton

Editor Emeritus Roger Sutton was editor in chief of The Horn Book, Inc., from 1996-2021. He was previously editor of The Bulletin of the Center for Children's Books and a children's and young adult librarian. He received his MA in library science from the University of Chicago in 1982 and a BA from Pitzer College in 1978.

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rindawriter

>Actually, the Dali Lama answered in a manner much as Jesus would have...expertly slamming the shuttle into the other person's court...requiring he/her to make his/her own responses with his/her own choices and actions...

I grew up with badminton not tennis...

No one has to worry about a book being culturally authentic if it is the real thing in the first place..not the author nor the publisher nor the reader nor the reviewer nor the buyer... The debate and power struggles most notably arise from the suspiciously "smelly" books...although some of them manage to hide the "smell" pretty well...

Posted : May 16, 2007 10:51


Andy Laties

>I suspect that the Dalai Lama's technical skills at the art of rhetoric are superior to Tony Snow's, and that therefore in a direct face-off the Dalai Lama could more effectively position Tony Snow under a Tibetan Buddhist contextualization than could Tony Snow position the Dalai Lama under a Hegemonic American contextualization.

Ergo: Tony Snow is a Tibetan Buddhist (whether he likes it, or thinks so, or not).

Posted : May 11, 2007 10:04


Uma Krishnaswami

>Thanks Andy, that's good to know. I try to do my bit to advance postcolonial views of the subcontinent :-)

Posted : May 11, 2007 06:24


Anonymous

>Are you trying to tell me that Tony Snow is a Tibetan Buddhist?

Posted : May 11, 2007 04:57


Andy Laties

>By the way Uma I sell your marvelous title "Monsoon" at the Eric Carle Museum. It's quite unique in depicting modern Indian life from the perspective of an urban middle class child.

Posted : May 11, 2007 04:44


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