Naamah and the Ark at Night

Holly Meade uses watercolor collage (which matches this story of water perfectly) to tell Susan Campbell Bartoletti’s lullaby story of Naamah, Noah’s wife.  We learn in her fascinating author’s note the mystery of her name and also about the ghazal, the poetic structure Bartoletti followed to write this poem. So, a story from the Old Testament  is interpreted in an Arabic poetic form. I like that. I like the Noah story because so many cultures and religions have a deluge story, making it nearly universal.

 

 

Let me give you a taste of the text:

“As rain falls over the ark at night,
As water swirls in the dark of night,
As thunder crashes the seams of night,
As Noah tosses in dreams of night,
As restless animals prowl at night,
As they pace and roar and growl at night,
Naamah sings all through the night.”

That is some lovely stuff.

Now, let’s look at these illustrations. Watercolor and scissors and ink come together to give the reader the feel of a little boat, rocked by storms and filled with pairs of animals. Noah is not the star here—he is snoring in bed while Naamah sings to the animals, lulling them to sleep. Meade changes up the spreads—some are full color, some are grey and white silhouettes, fully bled to the edges, showing the deep night. One, of the galaxy, is cut paper, watercolor and paint that looks like white-out.  Each animal, even the humans, is shown with its partner and care has been taken to differentiate between the female and male when appropriate (lions, humans).  The paper is cut with soft rounded cuts—not overly fussy, but with enough detail to make each animal completely recognizable. Naamah is nice and round herself…suggesting a well-fed grandma.

Here is a book that needs to be read aloud to be totally appreciated. Bartoletti’s poem, subtle and restrained, is the perfect precursor to sleep.

And, not to be too personal, I read this to my book group on Sunday night, and it got the "I-need-a-baby-shower-gift" seal of approval.

So, yes, this is a Bible story and any bit of religion may make some squeamish, but there have been quite a few Bible stories over the years that have caught the attention of the committee. The illustrations complement and extend the story with little redundancy and the lullaby is magical. Meade has won an honor before. Is it time for more recognition?
Robin Smith
Robin Smith
Robin Smith is a second-grade teacher at the Ensworth School in Nashville, Tennessee. She is a reviewer for Kirkus and The Horn Book Magazine and has served on multiple award committees.
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Martha P.

...and in this case I think the book is way strong enough to withstand any thread-pulling. I didn't mean to weigh the discussion down with minutiae -- mostly I was hoping someone would write in with their interpretation of how the story moved through time, and enlighten me.

Posted : Oct 28, 2011 05:33


KT Horning

Absolutely, Robin! That is the best part of any award discussion, and when you get several -- or fifteen -- people, all coming to the discussion with different things they appreciated, it makes the discussion that much richer. On the other hand, you can have just one person who sees a loose thread, such as the lack of gradation to show the passage of time/change in the weather, and when folks begin to look at it more closely and start to tug at that loose thread, everything can unravel -- or not, depending on how strong the rest of the book is. Both kinds of discussion are important, and also are hard to capture in a mock discussion.

Posted : Oct 28, 2011 02:22

Robin Smith

KT said, "Both kinds of discussion are important, and also are hard to capture in a mock discussion." Yes, indeed. I often attend the Notable Books discussion at ALA, which are public. I thought they were probably like Newbery and Caldecott discussions...and they are, but just a little. The real thing, in real time, is impossible to replicate. And I totally understand the metaphor of the thread. I would hope no one would get bogged down in minutiae, but I know it can happen. I worry about making mountains out of molehills. (and about using little phrases like "mountains out of molehills" that point out that I am turning in my grandmother)

Posted : Oct 28, 2011 02:22


Seven Impossible Things Before Breakfast » Blog Archive » What I’m Doing at Kirkus This Week,Plus What I Did Last Week, Featuring Holly Meade

[...] Over at the Horn Book’s Calling Caldecott this week, don’t miss the discussion about [...]

Posted : Oct 28, 2011 01:36


Martha P.

Sorry! I didn't make myself clear about the weather thing: I meant that since there isn't such a clear forward progression for me in this book (it's raining, then naamah sings all through the night against a starry sky, then it's raining.... and so on until the end, when it's just about stopped raining), it would have helped me if ,say, there was a gradual lessening of the rain from beginning to end, closing with that final calmish spread. As it is, what is the time frame for these events? but it's a small thing, can't even call it a concern since no one else shares it! :)

Posted : Oct 27, 2011 02:37


Robin Smith

Thanks, KT. I meant to grab my copy again to see what Martha was talking about and your comment nudged me. It still looks to me that there is still some rain in that last spread... But, more than that, I love reading what both Martha and Jules said about the lines. I did not review this one for any publication, which always slows my reading and forces me to look, look, and look again. I was so wowed by the cut paper that I didn't pay as much attention to the lines as Martha and Jules did. . Of course, now I see them everywhere and that deepens my appreciation of the art. I especially like the non-rain straight lines: the birdcages, the actual wood of the ark and the various fences and supports that hold the animals. And that's what happens on the committee-two people appreciate a book for two completely different reasons and then they end up appreciating it twice as much.

Posted : Oct 27, 2011 03:26


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