Mulla Nasruddin, as the preface explains, is a pan-Muslim trickster figure who has captivated storytellers for generations and whose actions constantly challenge perceptions, asking readers and listeners to see things in a different light. For example, you may think that Nasruddin is riding his donkey backwards, but in his view, “I’m facing forward. It’s the donkey who’s facing backwards!” Each of the twenty-one pithy vignettes in this collection imparts a philosophical, ethical, or intellectual conundrum.
Riding a Donkey Backwards: Wise and Foolish Tales of Mulla Nasruddin
retold by Sean Taylor and the Khayaal Theatre; illus. by Shirin Adl
Primary Candlewick 48 pp.
8/19 978-1-5362-0507-7 $18.99
Mulla Nasruddin, as the preface explains, is a pan-Muslim trickster figure who has captivated storytellers for generations and whose actions constantly challenge perceptions, asking readers and listeners to see things in a different light. For example, you may think that Nasruddin is riding his donkey backwards, but in his view, “I’m facing forward. It’s the donkey who’s facing backwards!” Each of the twenty-one pithy vignettes in this collection imparts a philosophical, ethical, or intellectual conundrum. In “The Other Side,” a man asks Nasruddin, standing on the opposite bank of a river, how he can cross to the other side. Nasruddin, with his usual irascible tone, replies, “What a birdbrain…You are on the other side!” The story “When You Are Dead” asks what one would like said about them at their funeral. Nasruddin’s answer: “Look! He’s moving!” Mixed-media illustrations incorporate texture that makes each vignette an engrossing visual experience. Paper, tissue, felt, yarn, sticks, miniature woven carpets, and beads are combined with other textures that beg to be touched. With his bulbous nose, towering turban, expressive face, four teeth, and fluffy cotton beard that defies gravity, Nasruddin will be sure to elicit giggles from young readers even as they contemplate the logical puzzles he poses. A glossary is appended, but no source notes are provided.
From the November/December 2019 Horn Book Magazine.
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