These new picture books model self-love, strength in community, and pride in identity for very young children of color.
These new picture books model self-love, strength in community, and pride in identity for very young children of color.
Hands Up! by Breanna J. McDaniel, illustrated by Shane W. Evans, is an affirmation of self-love for children of color. An exuberant brown-skinned girl recounts many situations in which she puts her "hands up": playing peek-a-boo, striking a pose in ballet, etc. Evans's textured illustrations effectively evoke a bright mood. An author's note articulates McDaniel's choice to reclaim the titular phrase from its negative associations with police encounters. A book that highlights the joys of black and brown childhood while positioning young children as agents of change. (Dial, 3–7 years)

The "scrumptious scent" of grandmotherly Omu's thick red stew wafts out her apartment window; a little boy inquires after the delicious smell, then a peckish police officer, etc., until Omu's generosity sharing her stew means that she has none left for dinner. But everyone returns, this time to share with Omu. Mixed-media layers give depth to the collage illustrations in Oge Mora's 2019 Caldecott Honor Book
Thank You, Omu!; her perfectly timed story contains repetition that will encourage group participation. (Little, Brown, 5–8 years)

When MacKenzie, star of
My Hair Is a Garden by Cozbi A. Cabrera, is teased for her "always a mess" hair, she turns to neighbor Miss Tillie for help. The story strikes an effective balance between Miss Tillie encouraging self-confidence and explaining step-by-step self-improvement to MacKenzie. While many skin tones are represented in the soft acrylic illustrations, MacKenzie and Miss Tillie share a deep ebony color, contrasted with bright blues, greens, and reds in the patterns and backgrounds. (Whitman, 5–8 years)

In Jacqueline Woodson's
The Day You Begin, Venezuelan immigrant Rigoberto looks crestfallen when the class laughs at his name; others feel left out when classmates make fun of their lunch foods. And the (unnamed) African American protagonist has trouble finding her voice when her classmates recount their summer vacations until she realizes that books have afforded her boundless travel. Woodson's story about bravery in the face of feeling like an outcast values literacy, reading, and imagination. Rafael López's accompanying illustrations feature vivid, brilliant colors. (Penguin/Paulsen, 5–8 years)
From the February 2019 issue of Notes from the Horn Book.
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