You can sometimes feel like the Old Stage Manager in this job, watching ’em all come and go for their hour upon the stage. Big picture books, little picture books, good girls and bad girls, vampires, angels, fallen angels, books for boys, fantasy, and realism. The players have producers: not...
“If this book doesn’t win the Caldecott Medal I’m going to kill myself.” I heard that from Zena Sutherland, quoting Ursula Nordstrom, while Zena and I were at Philadelphia’s Rosenbach Museum in 1982, viewing an exhibition of the complete original art for the book in question, Maurice Sendak’s Where the...
Like you (I’m guessing), I felt my soul give a little lurch at the news that Encyclopaedia Britannica was getting out of the book business to go online, all the time. Part of my reaction was nostalgia—when I was a child we owned the first four or five volumes of...
Circumstance as well as preference dictated that I read the 2012 Newbery Medal– and Scott O’Dell Award–winning Dead End in Norvelt in four flavors: advance reading copy, finished book, iBook, and as an audio download from Audible.com. I read the ARC and bound book in editing the Horn Book Magazine...
In our last issue I suggested that the creation of new and imaginative books for youth can’t be left entirely to authors, illustrators, and publishers; librarians and other interested adults need to do their part by getting these books into readers’ hands and, we hope, hearts.At a time when so...
Although grateful for the support of publishers who place advertisements in The Horn Book, I’ve never before felt the need to direct you to such from this page. But I do so now: please go and read the advertisement on page 57 and then come back here. I’ll wait.Imagine a...
In the aftermath of the attacks of September 11th ten years ago, there were many books published for children and teens about the tragedy. Some were informative, and at least two transcended the moment: Maira Kalman’s Fireboat and Mordicai Gerstein’s The Man Who Walked Between the Towers. But there was...
When we think about the respect for “private reading” that Betty Carter calls for in her article on page 525, what tends to come to mind first is the quiet book, or the book that broaches an intimate problem or topic. But the excellence of Betty’s point is demonstrated no...
With our publication this month of John Rowe Townsend’s pellucid appraisal of Philip Pullman’s His Dark Materials trilogy, some readers might feel that the Horn Book is overindulging its notorious Anglophilia. Along with reviewing each of the three volumes, the last covered at some length by guest critic Gregory Maguire,...