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“What is your critical axe to grind?” That’s the question our professor, without much preamble, asked the two of us in our first children’s literature graduate seminar together. She explained that our “critical axe” was the thing (and we’re paraphrasing here) about youth literature that had us in a chokehold....
Two voices are always better than one, so we’re excited to co-author this year’s CaldeComics post (à la Elisa Gall and Jonathan Hunt). We first became CaldeBuddies while we were at Simmons University together, each of us maxing out our library cards at the Boston Public Library’s Faneuil Branch in order...
Another year, another opportunity for graphic novels to make their way into Caldecott discussions. If, as Travis Jonker writes, wordless books are “Caldecott catnip,” then what does that make graphic novels? “Graphic elements” in picture books certainly seem to be an enticing treat (see: Mr. Wuffles!, A Different Pond, Creepy...
Today on Calling Caldecott, Alec Chunn writes about three 2018 graphic novels. This follows his October post, in which he wrote about three others. If you missed part one, it's here. — J.D.Though Elisa Gall and Jonathan Hunt made a pretty solid case for board books being recognized by the Caldecott...
Today on Calling Caldecott, Alec Chunn writes about three 2018 graphic novels. He will contribute a second graphic novel round-up post later this year. —J.D.Jillian and Mariko Tamaki’s This One Summer was (controversially) chosen as a 2015 Caldecott Honor book. A graphic novel hasn’t received recognition since, though Thi Bui and...